
Mixed Signals
A Group Exhibition
January 6 - February 3, 2007
The Village Voice review
culturevulture.net review
ARTnews review
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Installation view north gallery |

Installation view north gallery |

Installation view south gallery
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Installation view south gallery
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Roy Ferdinand
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Lee Lozano
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Untitled (Red Table), 2002
watercolor, magic marker, colored pencil,
ballpoint pen on poster board
22 x 28 inches; 26 x 32 inches (F) |

no title (let them eat cock), 1961
crayon on paper
16 1/2 x 13 3/4 inches; 24 1/2 x 20 1/4 inches (F) |
Eugene Andolsek
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Kelly Heaton
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Untitled, c. 1950-2003
ink on graph paper
16 x 11 inches; 20 3/4 x 15 3/4 inches (F)
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Loberg, 2005
mixed media on paper
30 x 23 inches; 33 3/4 x 26 3/4 inches (F) |
Duke Riley
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Eugene Von Bruenchenheim
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East River Tattoo, 2006
ink on parchment paper
22 x 15 inches; 26 7/8 x 19 1/2 inches (F)
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Untitled, 1967
ink on paper pasted onto wallpaper sample
17 3/4 x 19 2/4 inches; 19 3/4 x 21 1/4 inches (F) |
Felipe Jesús Consalvos
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Chris Hipkiss
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Story of Man, c. 1920-1950
mixed media collage on paper
20 1/2 x 25 inches; 25 3/4 x 30 1/4 inches (F)
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Haunt Hate, 2004
graphite on paper
34 1/2 x 58 inches; 38 5/8 x 60 7/8 inches (F)
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Joseph Yoakum
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Tim Wehrle
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Red Fox Valley, Hartsville, MO, 1968
pencil and watercolor on paper
8 3/4 x 11 3/4 inches; 15 1/2 x 18 1/2 inches (F) |

Urban Nature, 2006
color pen and graphite on ledger paper
8 1/2 x 6 1/4 inches; 12 7/8 x 10 3/8 inches (F)
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Henry Darger
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Masahiko Kuwahara
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Malferian Blengiglomenean Serpent, n.d.
watercolor and pencil on manila paper
16 x 16 1/4 inches; 20 3/4 x 24 3/4 inches (F)
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Untitled, 1999
acrylic on paper
21 3/4 x 29 1/2 inches; 24 1/4 x 32 inches (F)
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Henry Darger
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Are Then Seen and Persued, n.d
front of double-sided drawing
18 3/4 x 46 1/2 inches; 25 1/8 x 53 3/4 inches (F)
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Madge Gill
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Suzanne McClelland
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Untitled, c. 1940s
ink side of double-sided drawing
12 1/8 x 9 5/8 inches; 19 1/2 x
17 3/8 inches (F)
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Untitled, 1995
charcoal on paper
8 1/2 x 10 3/4 inches; 15 x 17 1/2 inches (F)
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Janet Sobel
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Martin Thompson
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Untitled, c. 1947
wash and crayon on paper
17 x 14 inches; 24 1/2 x 20 1/2 inches (F)
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Untitled, c. 2002-2005
pen on graph paper
diptych, 7 1/2 x 7 1/2 inches each;
18 1/4 x 25 3/4 inches (F)
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James Castle
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Anonymous
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Untitled (black coat),n.d.
found paper, string, color
of unknown origin, soot
8 1/2 x 5 3/4 inches
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Shima Cho, 19th Century
detail of a fabric sample book
variable dimensions
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Artists included in Mixed Signals
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Eugene Andolsek
Chris Burden
James Castle
Felipe Jesús Consalvos
Henry Darger
Jen DeNike
Hiroyuki Doi
Lee Etheredge IV
Roy Ferdinand
R. Buckminster Fuller
Madge Gill
Stacy Greene
Kelly Heaton
Chris Hipkiss
Yun-Fei Ji
Ilya Kabakov
Teppei Kaneuji
William Kentridge
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Masahiko Kuwahara
Mark Lombardi
Lee Lozano
Suzanne McClelland
John O'Connor
Roxy Paine
Paper Rad
Duke Riley
Dieter Roth
Sterling Ruby
James Siena
Janet Sobel
Martin Thompson
Vargas-Suarez Universal
Eugene Von Bruenchenheim
Timothy Wehrle
Joseph Yoakum
Purvis Young
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Click here for a PDF version of the following Press Release. |
For Immediate Release: December 21, 2006
MIXED SIGNALS
A Group Exhibition
January 6 February 3, 2007
Ronald Feldman Fine Arts will present Mixed Signals, a group exhibition of artists from the outsider, contemporary, and emerging fields. Works made over the span of 60 years incorporate “do-it-yourself” techniques and more traditional methods. Topics include invented territories, personal obsessions, and depictions of real world concerns.
James Castle, Jen DeNike, Felipe Jesús Consalvos, Teppei Kaneuji, and Sterling Ruby exhibit collage and assemblage of found materials, advertising labels, and magazine images. The resulting recombinations of familiar items create manifestations of isolated beauty as well as portraits of political wit.
Pages in a 1960’s wallpaper sample book provide visual contrasts to the visionary architectural ballpoint pen drawings by Eugene Von Bruenchenhein, while discarded library books become the simple and available means to house drawings by Purvis Young. Fabric samples by Japanese weavers are anonymously compiled in shima cho (sample books).
Internalized obsession energizes the ink drawings by Eugene Andolsek and Martin Thompson. The clarity of Mark Lombardi’s painstakingly researched charts provides an anxious visual alternative. Accumulation, another manic disorder, feeds the actions of Hiroyuki Doi and Vargas-Suarez Universal.
Dream states are playfully suggested by Roxy Paine and Paper Rad. The surreal landscapes of Joseph Yoakum settle beside the protective and self-created environments drawn by Madge Gill and Janet Sobel. Kelly Heaton’s depiction of two trees located in the Swiss countryside offers a contemporary setting. Henry Darger, author of the most exhaustive fantasy realm, Duke Riley, self-described “artist and patriot,” and Masahiko Kuwahara each present fictional histories. Autobiography lays the groundwork for contributions by Chris Burden, Ilya Kabakov, Lee Lozano, and Suzanne McClelland.
The detailed figurative drawings of jumbled images by Chris Hipkiss and Timothy Wehrle contrast with the sensitive renderings of the recently uprooted communities of China’s Three Gorges region by Yun-Fei Ji and Roy Ferdinand’s drawings of the pulsing life formerly found in New Orleans Lower 9th Ward.
Special thanks to Martina Batan for organizing the exhibition and for generously making available a large selection of works from her collection.
There will be a reception on Saturday, January 6, 6 8. Gallery hours: Tuesday Saturday, 10 6. Monday by appointment. For information contact Sarah Paulson (212) 226-3232 or Sarah@feldmangallery.com.
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