Nancy Chunn

Chicken Little and
the Culture of Fear

September 10 – on view till late April, 2017

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New York Times


Nancy Chunn artist site
Watch a preview video, The Sky is Falling.

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Artforum ad July 2016

 



Scene I: The Garden, 2003-2004
Installation view from the "Chicken Little and the Culture of Fear"


Scene II: The Bathroom, 2004-2005
Installation view from the "Chicken Little and the Culture of Fear"

 


Scene IV: The Bedroom, 2004-2005
Scene III: The Kitchen, 2005-2006
Installation view from the "Chicken Little and the Culture of Fear"

 


Scene VI: The Road, 2004-2007
Scene V: The Jail, 2014-2016
Installation view from the "Chicken Little and the Culture of Fear"


Scene V: The Jail, 2014-2016
Installation view from the "Chicken Little and the Culture of Fear"

 


Scene VI: The Road, 2004-2007
from the "Chicken Little and the Culture of Fear"
acrylic on canvas


Scene VII: The ER, 2007-2008
Installation view from the "Chicken Little and the Culture of Fear"

 


Scene IX: The Diner, 2011-2014
Scene VIII: The Main Hospital, 2007-2010
Installation view from the "Chicken Little and the Culture of Fear"


Scene X: Poortown, 2010-2011
Installation view from the "Chicken Little and the Culture of Fear"


Scene XI: Fox News, 2013-2015
Installation view from the "Chicken Little and the Culture of Fear"

 


Scene II: The Bathroom, (detail) 2004-2005
from the "Chicken Little and the Culture of Fear"
acrylic on canvas



Scene III: The Kitchen, (detail) 2005-2006
from the "Chicken Little and the Culture of Fear"
acrylic on canvas


Scene III: The Kitchen, (detail) 2005-2006
from the "Chicken Little and the Culture of Fear"
acrylic on canvas



Scene IV: The Bedroom, (detail) 2004-2006
from the "Chicken Little and the Culture of Fear"
acrylic on canvas


Scene V: The Jail, (detail) 2014-2015
from the "Chicken Little and the Culture of Fear"
acrylic on canvas



Scene V: The Jail, (detail) 2014-2015
from the "Chicken Little and the Culture of Fear"
acrylic on canvas

 


Scene VI: The Road, (detail) 2004-2007
from the "Chicken Little and the Culture of Fear"
acrylic on canvas



Scene VII: The ER, (detail) 2007-2008
from the "Chicken Little and the Culture of Fear"
acrylic on canvas

 


Scene VIII: The Main Hospital, (detail) 2007-2010
from the "Chicken Little and the Culture of Fear"


Scene IX: The Diner, (detail) 2011-2014
from the "Chicken Little and the Culture of Fear"
acrylic on canvas

 


Scene X: Poortown, (detail) 2010-2011
from the "Chicken Little and the Culture of Fear"
acrylic on canvas



Scene X: Poortown, (detail) 2010-2011
from the "Chicken Little and the Culture of Fear"
acrylic on canvas


Scene X: Poortown, (detail) 2010-2011
from the "Chicken Little and the Culture of Fear"
acrylic on canvas



Scene XI: Fox News, (detail) 2013-2015
from the "Chicken Little and the Culture of Fear"
acrylic on canvas

Scene XI: Fox News, (detail) 2013-2015
from the "Chicken Little and the Culture of Fear"
acrylic on canvas

 


Scene XI: Fox News, (detail) 2013-2015
from the "Chicken Little and the Culture of Fear"
acrylic on canvas

 

Click here for a PDF version of the following Press Release

For immediate release: July 20, 2016

NANCY CHUNN: Chicken Little and the Culture of Fear: 2001 - 2016  

September 10 - on view till late April, 2017

I will exhibit my 13 1/2 year, site-specific painting-installation Chicken Little and the Culture of Fear, updating the folk tale of the paranoid fowl. After 9/11, the media went into overdrive, broadcasting every idiotic, innocuous, hilarious, and (only on rare occasions) poignant dangers. In Michael Moore's Bowling For Columbine, Professor Barry Glassner referred to this pathology as a "Culture of Fear" that flooded the public with stories about immigrants, welfare mothers, kidnappings, etc. Listening to all this crap, and not being Jon Stewart, I decided the only way to maintain any sanity in this age of absurdity was to embark on a baroque, obsessive, labor intensive process that has become as insane as the content.

The story follows Chicken Little from her Garden, where she's struck on the head by a falling TV, through her Bathroom, Kitchen, and Bedroom, where she's arrested for removing her mattress tag, landing her in Jail beside the dregs of society. Her friends bail her out and they hit the Road, which lands them all in either the ER or the Main Hospital. Due to the subpar hospital food, upon release, they rush to the Diner, where they mingle with the general public. On their way to see the king, they pass through the loss and devastation of Poortown. In the folk tale, Chicken Little either reaches the king and receives an umbrella and is sent away, or never reaches the king, instead being lured into the den of a fox, who eats them all up. In my retelling, they are consumed by Fox News, where Chicken Little becomes one of the leggy blonde anchorwomen.

The eleven walls contain hundreds of canvases held together by eleven aesthetically pleasing, painted amoeba shapes. Each wall details a specific category of fears: Garden = environmental issues; Bathroom = household dangers; Kitchen = food dangers; Bedroom = chicken childhood nightmares; Road = road rage; ER/Main Hospital = medical issues; Diner = wedge issues; Poortown = the great recession; Fox News = self-explanatory.

Statistics:
               11 gallery walls
               511 Lascaux acrylic (the most expensive acrylic) painted canvases
               3,000+ colors mixed with CMYK formulas (although some cheating tolerated on occasion)
               68 giclee prints
               seven 3-D printed sculptures
3 grants (Anonymous Was a Woman, Jennifer Howard Coleman Distinguished Lectureship and Residency, The Guggenheim) + 2 NEAs received earlier
               3 assistants (Tom Jezek 2000 - 2015, David McDevitt 2007 - present, Michael Caudo 2015 -  present)
               1 customized catalogue database for CMYK colors and formulas, conceived and programmed by Mark Rosen
               7 Epson 880 inkjet printers, 1 horrible Canon MG6220, which of course takes different ink than the old 880s.
               2 styles of basic Staples-brand printer paper (the first was discontinued, the second was whiter and brighter, creating havoc with the color-mixing process)
               10 banker boxes containing 511 color-coded manila folders filled with crib sheets, swatch sheets, and research material.
               5 Apple computers
               Amount of dollars, too obscene to mention, spent on: expensive Belgian cotton canvas until no one made it anymore and I switched to Army Duck, Symanarts stretcher bars, MDF panels, assistant salaries, giclee prints from Duggal, and miscellaneous.
               Enhance (a clear-coat protection) for giclee prints, followed by ClearShield (which may have been better, or may have been the same product)
               55+ years of rigorous TV-watching (my drug of choice): General Hospital, Days of our Lives, One Life to Live, Passions, Oprah, MSNBC, CNN, Fox News, The Daily Show with Jon Stewart and Trevor Noah, Colbert Report, Last Week Tonight with John Oliver, Samantha Bee, Saturday Night Life, Late Night with Seth Meyers, The Nightly Show with Larry Wilmore, The Late Show with Steven Colbert, Dark Shadows (via YouTube), every breaking news story we could get our hands on. Plus Lenny Bruce, Mort Sahl, Elaine May and Mike Nichols
               zero footprint on social-media

Reception:  September 10, 6-8.  Gallery hours are Tuesday-Saturday, 10-6.  Monday by appointment.  For information: Megan Paetzhold at (212) 226-3232 or megan@feldmangallery.com.  For press information http://bit.ly/2a36NFP

 

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