Kelly Heaton



Photo: Tom LeGoff
Makeup and hair: Tamah Krinsky

Live Pelt

September 6 – October 11, 2003

The Village Voice
Artforum.com

artnet.com

The Week
The Brooklyn Rail
New Yorker
Juxtapoz (Otis exhibition)


Live Pelt - The Alchemist, 2002-2003
installation of work space includingdesk, stool,
bagged Elmo parts, mobile with philosopher
stones, DVD, and equipment


Live Pelt - The Sociopath, 2003-2003
installation of work space including table,
Sociopath's map, dress form, master chart
and patterns, DVD, and equipment


Portrait of the Fashionista, 2003
digital c-print
25 x 23 3/4 inches
edition of 7
Photo by Tom LeGoff
Makeup and hair by Tamah Krinsky


The Surrogate, 2000-2003
jacket made from 64 Tickle Me Elmos

purchased on eBay.
To be sold on eBay auction, which
opens October and closes October 11.

N-Trophy, 2000-2003
one of 61 mounted heads from Tickle Me
Elmos purchased on eBay
approximately 9 x 10 1/2 x 5 1/2 inches
to be resold on eBay
Auction opens September 6 and closes October 11.

N-Trophy
, 2000-2003
61 mounted heads from Tickle Me
Elmos purchased on eBay, each of which
to be resold on eBay

The Class of Two Thousand and Three
2000-2003
c-print
13 1/2 x 17 1/2 inches (framed)
edition of 11


The Sears Portrait Series,
2000-2003
one of 16 framed colored
photographs produced and framed by
Sears Portrait Studios

Click here for a PDF version of the following
Press Release.
For immediate release: August 7, 2003

KELLY HEATON: LIVE PELT

SEPTEMBER 6 – OCTOBER 11

The art of Kelly Heaton exists in that place where obsession, engineering and popular culture come together. -- George Fifield for the catalogue of the 2001 DeCordova Annual Exhibition

Live Pelt, by Kelly Heaton, is a multimedia installation based on the transformation of 64 previously owned Tickle Me Elmo dolls, the popular consumer toy, into a woman’s coat. Fashioned from the toys’ pelts and electronics, the coat (entitled The Surrogate) provides full body vibration and is designed to be a substitute lover. Using Elmo as a vector to channel information about contemporary American culture, the installation encompasses moods both poignant and Frankenstein weird. The narrative investigates frontier economics, the human-machine relationship, and the technologist’s power to play with life. In all seriousness, Heaton’s sense of humor prevails.

The artist has developed eight characters to represent the various facets of Live Pelt. Desecration and fetishism are consistent throughout the narrative, which relies heavily on the historic precedent of the American fur trade. The Trapper collects Elmos through eBay; The Industrialist performs the skinning; and The Taxidermist stuffs and mounts their heads. The Alchemist solders the electronic viscera and seeks clues to the mystery of life. Other characters, The Sociopath, The Debutante, and The Fashionista, interact with the coat and its accessories at various stages in The Surrogate’s development. Btsy Rss alters the American flag to the tune of De-Star Spangled Banner, a painfully slow rendition of our national anthem performed by Pamela Z. Heaton plays some of these roles in a documentary video by Shambhavi Kaul.

Embracing and critiquing the information glut caused by computer-based media, Heaton’s narrative work also includes The Yearbook of Live Pelt, which chronicles information about the Elmos “trapped” online; The Sociopath’s Map, a geographic profile based on the hometowns of the acquired Elmos; drawings and sculpture that blend engineering with human physiology; and artifacts from the performance videos. Antique photographs provide a historical context. Conceptual constructions suggest an autobiographical evolvement of the artist. The Sears Portrait Series, featuring 16 young girls posing in commercially available Elmo costumes, relates to the recurring themes of innocence and loss.

The implications of online auction as a new frontier for trade and its potential for exploitation are important components of Live Pelt. The Elmos were purchased through eBay. With circular symmetry, many of the transformed Elmo artworks will be “recycled” for sale on eBay, extending the domain of online commerce to the gallery marketplace.*

Live Pelt, Heaton’s first exhibition at the Feldman Gallery, continues her series entitled Bibiota that includes Reflection Loop and Dead Pelt in which 400 Furbies have been re-engineered into a coat for Mrs. Santa Claus and a wall of reactive eyes and mouths. She has exhibited recently at the Howard Yezerski Gallery as part of the Boston Cyberarts Festival and Bitforms Gallery in New York. Heaton received a Master of Science from M.I.T. in 2000 and was artist-in-residence at the Duke University Department of Computer Science last year. Awards include the 2001 L’Oreal Promotion Prize in the Art and Science of Color. She was a Creative Capital Recipient in 2002.

*The Surrogate will be available for sale through eBay: October 4 – October 11. Sixty-one trophy plaques with the mounted heads of Elmo will be sold individually through eBay during the exhibition.

There will be a reception on Saturday, September 6: 6:00 to 8:00. Gallery Hours: Tuesday – Saturday: 10:00 to 6:00. Monday by appointment. For information, contact Laura Muggeo (212) 226-3232 or laura@feldmangallery.com.

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